July 26, 2012
One of rock’s pioneers will be celebrated by the Rock and Roll Hall of Fame this fall.
Chuck Berry will be honored by the hall as part of its American Music Masters series.
Berry was inducted into the Rock and Roll Hall of Fame in 1986. In October, the icon will be the subject of a weeklong celebration by the hall and Case Western Reserve University. It kicks off Oct. 22 and ends with an all-star tribute concert on Oct 27. Performers have yet to be announced, though Berry is set to take the stage.
In a recently released statement, 85-year-old Berry said he is “looking forward to reelin’ and rockin' in Cleveland.”
Past honorees include Aretha Franklin, Janis Joplin and Woody Guthrie.
July 26, 2012
The stepson of the Grammy award-winning pop star Usher has died, two weeks after the child was critically injured in a boating accident.
Willie A. Watkins funeral home in Atlanta confirmed Saturday it was handling funeral arrangements for 11-year-old Kile Glover. He was a son of Usher’s ex-wife Tameka Foster.
The Atlanta Journal-Constitution reports that Kile died the morning of July 21 at an Atlanta area hospital.
The boy was run over July 6 by a personal watercraft on Lake Lanier, according to the Georgia Department of Natural Resources. He had been hospitalized with a major brain injury. Lake Lanier is about 40 miles northeast of Atlanta.
Authorities said the accident continues to be under investigation.
Before the accident, Usher, whose full name is Usher Raymond, had been in a legal battle with his ex-wife arising from a custody fight over the two sons they had together.
Condolences flooded social media sites late Saturday, The Atlanta Journal-Constitution reported. It said those who sent tweets of condolences included Justin Bieber, singer Toni Braxton and singer Eric Benet, among others.
Usher, long one of the top-selling singers and songwriters, has won numerous Grammy awards. He gained initial acclaim in the late 90s with albums such as “My Way” and went on to release the 10-million-plus selling 2004 album “Confessions” that firmly established him as a superstar, among several others including "Raymond v. Raymond" in 2010.
July 19, 2012
“I dance upstairs tonight.”
That simple and somewhat cryptic statement by one of the women in the production, “Nylons,” aptly sums up the conflict some of the characters face.
“Upstairs,” although never seen, is where the dancers strut their stuff “au natural.” It is also where the best money can be made.
But, there is a price the characters—including a married diva, a gifted bartender and a struggling beauty—might have to pay for leaving the conventional and romantic dances downstairs for the excitement of upstairs.
“Nylons” originally appeared on Stage 52 last April and has now moved to the much larger Wilshire Ebell Theater for a one-night performance July 28 at 8 p.m.
“Nylons” is the fifth play written since 2005 by Compton-born, Moreno-Valley raised playwright Brandi Burks, and follows on the heels of the critically successful “Shhh . . . Quiet as Kept.”
Burks said she was inspired to write Nylons because, “My last four plays have been based on gospel story lines. I feel like the religious people already have a solid foundation, and it's time that I reach out to the world no matter what religion or creed. I decided to get risky with “Nylons” and deliver a message that everyone should be aware of.
“Nylons are universal from the office to the church to night clubs.
Nylons range from plain to lace to fishnet and everything in between. Going from Gospel-based plays to “Nylons” is a way to show my creativity and versatility as a playwright.”
Prior to this latest stage venture, Burks penned and produced “Shhh . . . Quiet As Kept,” in 2009; “Men Cry Too” in 2008; and “Come Sunday” in 2006 and 2010. A 2005 production at the Los Angeles Theatre Center in downtown Los Angeles, “This is Not My Destiny” which sold out every night of the show, began the up-and-coming young playwright’s string of successful productions.
The NAACP Theatre awards even recognized her talents with a nomination in 2006 for “Come Sunday.”
Chicago native Tiffany Snow, who plays the lead role of Flossy, is a 2011 NAACP Theatre Award winner and she and the rest of the cast will perform to original music
Vincent M. Ward portrays the role of Kenzo. A Dayton, Ohio, native, Ward is a versatile actor and has played stage, television and movie roles that range from drug dealer to pastor.
Like her last production, Burks has also included live, original music, and the musical director for this show is veteran Cedric Lilly.
Lilly has more than 20 years of experience behind him and has performed with musicians including Roy Hargrove, Latoiya Williams, Vesta, Yo Yo, Bobby Brown and the Greater Los Angeles Cathedral Choir.
Tickets for “Nylons” are $35. They can be purchased in advance online at www.brownpapertickets.com. Additional information is available by calling (323) 600-7402.
The Wilshire Ebell is located at 4401 W. 8th St. in Los Angeles, just west of the intersection of Crenshaw and Wilshire boulevards.
July 26, 2012
By JAKE COYLE and JUAN CARLOS LLORCA,
George Jefferson was a bigot. A loudmouth. Rude. Obsessed with money. Arrogant. And yet he was one of the most enjoyable, beloved characters in television history.
Much of that credit belongs to Sherman Hemsley, the gifted character actor who gave life to the blustering black Harlem businessman on “The Jeffersons,” one of TV’s longest running and most successful sitcoms — particularly noteworthy with its mostly black cast.
The Philadelphia-born Hemsley, who police said Tuesday July 24 died at his home in El Paso, Texas, at age 74, first played George Jefferson on the CBS show “All in the Family” before he was spun off onto “The Jeffersons.” The sitcom ran for 11 seasons from 1975 to 1985.
With the gospel-style theme song of “Movin’ on Up,” the hit show depicted the wealthy former neighbors of Archie and Edith Bunker in Queens as they made their way on New York's Upper East Side. Hemsley and the Jeffersons (Isabel Sanford played his wife) often dealt with contemporary issues of racism, but more frequently reveled in the sitcom archetype of a short-tempered, opinionated patriarch trying, often unsuccessfully, to control his family.
Hemsley’s feisty, diminutive father with an exaggerated strut was a kind of black corollary to Archie Bunker — a stubborn, high-strung man who had a deep dislike for whites (his favorite word for them was honkies). Yet unlike the blue-collar Bunker, played by Carroll O’Connor, he was a successful businessman who was as rich as he was crass. His wife, Weezie, was often his foil — yet provided plenty of zingers as well.
Despite the character’s many faults — money-driven, prejudiced, temperamental, a boor — Hemsley managed to make the character endearing, part of the reason it stayed on the air for so long. Much like O’Connor’s portrayal of Archie Bunker, deep down, Hemsley's Jefferson loved his family, his friends (even the ones he relentlessly teased) and had a good heart. His performance was Emmy and Golden Globe nominated.
“He was a love of a guy” and “immensely talented,” Norman Lear, producer of “The Jeffersons” and “All in the Family,” said after learning of his death. El Paso police said the actor was found dead at a home where neighbors said he’d lived for years, and that no foul play is suspected.
The actor had been ill and died of natural causes, so no autopsy will be performed, according to Irene Santiago, a manager at the El Paso coroner’s office. She did not elaborate.
“When the Jeffersons moved in next door to the Bunkers, I wanted to deliver the George Jefferson who could stand up to Archie Bunker,” Lear recalled. “It took some weeks before I remembered having seen Sherman in ‘Purlie’ on Broadway.”
Hemsley read for the part and “the minute he opened his mouth he was George Jefferson,” Lear said. Hemsley was smaller than O’Connor’s Archie but “he was every bit as strong as Archie,” Lear said.
Lenny Kravitz, whose mother, Roxie Roker, played Helen Willis on “The Jeffersons,” said, “When I was a kid, Sherman would always take the time to hang out with me on set. We would listen to music and talk about it. He was very knowledgeable, and was a big rock ‘n’ roll fan. He was an extraordinary human being that made a huge difference with his talent. I will miss him.”
Sherman Alexander Hemsley was the son of a printing press-working father and a factory-working mother. He served in the Air Force and worked for eight years as a clerk for the U.S. Postal Service.
Having studied acting as an adolescent at the Philadelphia Academy of Dramatic Arts, he began acting in New York workshops and theater companies, including the Negro Ensemble Company. For years, he kept his job at the post office while acting at night, before transitioning to acting full-time.
He made his Broadway debut in 1970’s “Purlie,” a musical adaptation of Ossie Davis’ Jim Crow-era play “Purlie Victorious.” (Hemsley would later star in a 1981 made-for-TV version of “Purlie” as well.) It was while touring the show that Hemsley was approached by Lear about playing a character on the sitcom that would become “All in the Family.”
Hemsley joined the show in 1973, immediately catapulting himself from an obscure theater actor to a hit character on the enormously popular show. Two years later, “The Jeffersons” was spun off. Among the numerous “All in the Family” spin-offs (“Maude,” “Archie Bunker’s Place,” “704 Hauser”), “The Jeffersons” ran the longest.
The character, the owner of a chain of dry-cleaning stores, was devised, Hemsley said, as “pompous and feisty.”
“All of it was really hard ... because — rude, I don’t like to be that way,” Hemsley said in a 2003 interview for the Archive of American Television. “But it was the character, I had to do it. I had to be true to the character. If I was to pull back something, then it just wouldn't work.”
And he brought some of his hometown with him. “That dance I do (as George Jefferson), it’s the Philly Slop,” he told the Philadelphia Daily News in 1996.
After “The Jeffersons” was abruptly canceled, Hemsley starred in the sitcom “Amen” as a fiery Philadelphia church deacon, Ernest Frye. The show lasted five years, running 1986 to 1991.
Jackee Harry, a longtime friend who made appearances on the show, said she and Hemsley had planned to tour in the musical “Ain’t Misbehavin’.” She said they had discussed it recently and that he seemed in good health and in good spirits.
“It’s a sad, sad, sad day,” she said from her home in Beverly Hills, Calif.
She recalled when the two of them were on a Manhattan sidewalk during the era of “The Jeffersons,” and passers-by went wild.
“He got mauled and mugged,” she laughed. “He said, ‘What’s all the screaming about?’ He was so popular and he didn't even know it.”
She described him as “a very private person unlike George Jefferson. But he was very kind and very sweet, and generous to a fault.”
Hemsley frequently turned up as a guest on sitcoms like “Family Matters,” “The Hughleys” and even, in a voice role on “Family Guy.” He twice reprised George Jefferson, appearing as his famous character on “The Fresh Prince of Bel-Air” and, in 2011, on “House of Payne.”
Hemsley, whose films include 1979’s “Love at First Bite,” 1987’s “Stewardess School” and 1987’s “Ghost Fever,” released an album, “Ain’t That a Kick in the Head,” in 1989.
In an interview with the Gloucester County Times in 2011, Hemsley said his show business career actually began in childhood.
“Making people laugh was automatic,” he said. “I was in a play in elementary school and had to jump up and run away. I was nervous and tripped and fell down and everyone laughed. Their laughter made me relax, so I pretended it was part of the show.”
“I always told my mother I wanted a job where I could have a lot of fun and have a lot of time off,” Hemsley added. “She asked me where I was going to find that, and I said, ‘I don’t know, but it’s out there.’ ”
July 19, 2012
By MARK KENNEDY, Associated Press
Producers of a musical based on the life of Motown Records founder Berry Gordy are seeking an exceptionally talented young actor — one who can play a preteen Gordy, a young Michael Jackson and a precocious Stevie Wonder.
Gordy launched an audition website July 17 to help find the young man between the ages of 8 and 11 who can sing, dance and act like the King of Pop in his Jackson 5 days and Wonder at about age 11.
“Motown” will open on Broadway next spring.
Gordy says he’s not looking for imitators, but someone who “can be themselves in the role” and give him “the same chills” he experienced when he first saw Jackson at age 10 in 1968.