March 09, 2017
By Lapacazo Sandoval
Contributing Writer
Gerard McMurray's complicated but utterly entertaining drama “Burning Sands,” which will debut on Netflix March 10th centers on the controversial “underground” frat hazing at an all-black college. That’s just the jumping off point.
At first glance one might ask “where is the African-American unity” but just like real life, you have to peer deeper and decide to listen and to hear the words being uttered by the central characters. Through this prism of the societal construct called fraternity, we see our history reflected in shattered shards.
The story opens as aspiring inductees are entering the dreaded Hell Week and being put through their paces by their future big brothers on the low-down since their fraternity has been banned due to hazing infractions in the recent past.
The screenplay by first-time screenwriters Christine Berg and director Gerard McMurray has a fearless, honest tone and does not flinch in demonstrating just how brutal some of the big brothers are in constantly roughing up the pledgees. Beating after beating, one young man is kicked off the line, leaving five aspirants to ponder their place in the fraternity and question brotherhood on a wider canvas. All this, mind you, while they struggle to maintain academic demands and their personal lives.
Here is where the director [Gerard McMurray] shines and does not waste any frame. These are people we all know. These are people we might be and we understand them even if we don’t agree with them completely. The desire to become a member of Greek life and not remain a “God dam individual” is about belonging to something and what that something is goes way above just claiming frat status.
In the lead is Zurich (Trevor Jackson), a bright, handsome and compassionate young man who has a serious girlfriend and, being watched over by a concerned professor (Alfre Woodard) who can see his natural leadership qualities.
As they begin the long march to “cross the burning sands” ever day becomes more challenging than the day before for the pledgees. Their big brothers grow restless and the name calling escalates, along with the beatings which in Zurich’s case, causes a fractured rib which compromises his breathing— which he tries to hide..
There are many humorous moments in the film and just enough sex scenes to keep the male viewers interested. Feminist should cheer because McMurray’s women are strong and thankfully three-dimensional. A welcome change to African-American women as sex objects. There is one memorable scene when the pledgees are commanded, by their big brother, to have sex with a local women (non greek) who loves sex and uses it to please only herself. Principled and loyal Zurich finds a creative way not to cheat and provides some of the more interesting conversations wrapped around intimacy.
Hell Night can not come soon enough, as the pledgees are in-fighting and dangerously close to coming unglued. With a term paper hanging over his head, Zurich dives into the wisdom of
Frederick Douglass a needed remedy for his cracking spirit and broken body to hobble to the finish line—to cross the burning sands—and join the brotherhood.
McMurray, who worked as an associate producer on “Fruitvale Station,” and has an executive producer credit on “Burning Sands.” He is an excellent storyteller and despite some poor reviews, I feel strongly that my esteemed colleagues got it wrong, wrong, wrong.
Where they cite that [McMurray] “he lacks subtext,” I disagree and wonder if we are operating from the same definition of the word. Subtext is described as “an underlying and often distinct theme in a piece of writing or conversation” and using that definition they are incorrect. There is nothing shallow about “Burning Sands.” If anything he steps out and talks about issues that we, as African-American people, don’t like to discuss, like black-on-black violence.
His choice of crew should be highlighted especially the work of casting director Kim Coleman who demonstrates that there are no small parts. Her skills are superlative. Special acknowledgment to the director of photography Isiah Donte Lee and editor, Evan Schrodek.
Produced by Mandalay Pictures, Stephanie Allain’s Homegrown Pictures, Hudlin Entertainment and distributed by Netflix. The cast includes Trevor Jackson, Tosin Cole, DeRon Horton, Trevante Rhodes, Rotini, Octavius J. Johnson, Mitchell Edwards, Malik Bazille, Imani Hakim, Nafessa Williams, Steve Harris, Alfre Woodard. Directed by Gerard McMurray and screenplay by Christine Berg and Gerard McMurray. The producers on record are Stephanie Allain, Jason Michael Berman, Reginald Hudlin and Mel Jones. The executive producers are Caroline Connor, Common, and Gerard McMurray.
March 02, 2017
By Lapacazo Sandoval
Contributing Writer
Mahershala Ali has a regal aura. It’s in the way he walks, stands, listens and speaks. Here is something else, he emits gratitude and not the false type where he loads his award speech with a laundry list of industry acknowledgments.
“Moonlight” earned three Oscars unseating their rival “La La Land” with a disturbing hiccup when veteran actor/producer Warren Beatty and Faye Dunaway pulled a “La La Land” card out of a red envelope. There was a “mistake” — sigh — and in the end the right film won Best Picture.
At the end of the evening, when all of the invited guests and Oscar winners were hugging their golden man, Mahershala Ali took the time, between drinking a warm cappuccino, to thank the African-American press and more to the point, to take pictures with his Oscar.
Here is an excerpt from Oscar winner Mahershala Ali on being a part of “Moonlight.”
Q: You made history being the first Muslim actor to win an Oscar. What are your thoughts on this historic note?
Mahershala Ali: Well, regardless of one’s theology or however you see life or relate to worshipping God, as an artist my job is the same and it’s to tell the truth, and try to connect with these characters and these people as honestly and as deeply as possible. And so one’s spiritual practice I don’t — I don’t necessarily feel like it’s as relevant unless it gives you a way into having more empathy for these people that you have to advocate for. So, but I’m — I’m proud to own that. And I embrace that, you know. But, again, I’m just an artist who feels blessed to have had the opportunities that I have had and try to do the most with every opportunity that's come my way.
Q: What went through your head when you read the script [“Moonlight”].
MA: Well, I sincerely say that when I read the script, look, I don’t get to read everything, because there’s things that I’m just not remotely right for, you know. Ryan Gosling and I read different scripts. It’s just what it is, right? But in terms of the — as far as the scripts that I’ve read in my 17 years of doing it professionally, “Moonlight” was the best thing that I’ve — that has ever come across my desk. And that character for the time that he’s — that he was on the page really spoke to my heart, and I felt like I could — I could hear him, I could sort of envision his presence, and I could — I really had a — I had a real sense of who that person was, enough to start the journey. And I really wanted to be a part of that project, and I’m just so fortunate that it — that Idris and David Oyelowo left me a job.
Q: Who are your role models, those that you have idolized and you have patterned yourself after?
MA: Growing up — I’m 43 years old, I was born in 1974, and there weren’t a lot of people on TV, you know, and there weren’t a lot of films. It was a big deal when — when Billy Dee Williams was in STAR WARS, like that was a big deal in my house and in my family, and it was somebody who was in the story that I could kind of attach to and say, Oh, wow, we’re present as well. But for me, that person has always been Denzel Washington because, one, he’s just so damn talented; but, then, two, to see someone who comes from your tribe, so to speak, play at the level of all the other great ones and do it so well and be able to have — articulate his voice and his talent in a way that was on par with the very best and he looks like you, too. You know what I mean, in that like, wow, there’s somebody who could be an uncle of mine. Like, those are things that — that play in your mind as you — as you move forward, you know. And also what I love about Denzel is not that he’s a great black actor, he’s a great actor. And I’ve never — I’ve never looked at myself as a black actor. I’m an actor who happens to be African American, but I just want an opportunity to respond to material and bring whatever — whatever I bring to it in some unique fashion, and that’s it. But basically short story long, Denzel.
March 02, 2017
Aries
March 21 – April 19
Although the Sun in a spiritual sector of your chart can encourage you to close doors and relinquish situations that no longer serve you, there are also plenty of opportunities to open new doors. The idea of knowing when to let go of something and when to embrace it can be a powerful concept now. Venus enters its retrograde phase in your sign, encouraging you to develop your relationship with yourself. Be more forgiving and accepting of your faults.
Taurus
May 21 - Jun 20
A dynamic urge for change has been building for some time. This week it could come to a head and you may be called to take action. If an opportunity comes your way, grab it with both hands. Even if you don't feel ready to embrace a new way of life, go for it anyway. You'll gain the experience as you go. At the same time, you could decide to pull back from a relationship in order to better understand your motives.
Gemini
May 21 - Jun 20
There's a lot going on this week that could pave the way for some fabulous new options, but it might be wise not to make key decisions until early next week. You'll have had a chance to look into the details by then. With Neptune's ethereal energies in the mix, there could be a misunderstanding about what to expect. Clearing this up first can ease your mind. On the social scene, a new friendship could prove to be a game changer.
Cancer
Jun 21 - Jul 22
There's a lot going on that's very exciting concerning your career. Whether you tread a professional path, own your own business, or seek a new job, things are looking up for you. It's said that he who dares wins, and this week you could be very bold and you certainly can win. With Venus entering its retrograde phase in this same zone, be very careful about signing a binding contract. In fact, you might want to wait until Venus turns direct.
Leo
Jul 23 - Aug 22
On the one hand, the Sun in a more intense sector of your chart can pull you inward to explore the deeper layers of your personality. On the other, a dynamic blend of energies could see you looking outward to new opportunities and discovering new territory. Radical insights are possible whichever way you turn. On Saturday, love planet Venus turns retrograde, and this can provide an opportunity to reconnect with someone you once knew.
Virgo
Aug 23 - Sep 22
Go easy with finances this week, as the temptation may be to splurge on something that could radically change your life. However, doing so could jeopardize your security, so think very carefully before paying a large sum of money, especially if it's on the spur of the moment. It might be better to wait a few weeks, until Venus turns direct on April 15, before you splurge. You'll have plenty of time to consider whether this is a wise decision.
Libra
Sep 23 - Oct 22
A relationship could be the catalyst for some dynamic action or a decision that could alter your life in a significant way. Your thinking may be oriented toward the future by an encounter that allows you to see possibilities you've never considered. Also, your ruler Venus enters its retrograde phase on Saturday, so avoid making any commitment to a person or a partnership until after April 15. You'll know exactly what to do by that time.
Scorpio
Oct 23 - Nov 21
Certain spiritual insights could have a powerful effect on you and encourage you to leave your comfort zone. In fact, an exciting array of aspects could be a game changer for you, encouraging you in a direction that offers adventure and fresh opportunities. There's also a powerful focus on your romance sector, which could see a budding relationship become quite tender in the days ahead. With Venus turning retrograde, it might be wise to keep things light and easy for now.
Sagittarius
Nov 22 - Dec 21
You may not be able to avoid the impulse for fun and adventure that motivates you in the days ahead. If you have an opportunity to take a short break, this would be the ideal time to consider it. Concentrating on everyday tasks and chores may not be easy with your mind focused on fun and games. If you do get away for some sunshine and find yourself falling in love, the Venus retrograde indicates it might not turn out as you hope.
Capricorn
Dec 22 - Jan 19
The desire to start a home-based business could excite you this week, and you'll be eager to get things underway. But it might be wise to look into the details first and make sure you're on the right track. As amazing an opportunity as it seems, there could be pitfalls you haven't considered that need to be factored in first. Venus turns retrograde, so it may be just as well to get the financial side of things thoroughly sorted out.
Aquarius
Jan 20 - Feb 18
Information that comes out of the blue could urge you to seize an opportunity you've long coveted. Regarding financial matters, you might need to take extra care with the confusing energies of Neptune muddying the waters. Think very carefully before signing anything, and go over the terms and conditions with a fine-tooth comb. If it's a really big deal, get a lawyer to go over it for your peace of mind. The weekend should be a lot more productive, though.
Pisces
Feb 19 - Mar 20
As the Sun in your sign ties with Neptune, your imagination could soar in the coming days and encourage you in your creative endeavors. You may also be drawn to cultural activities, such as art exhibitions or concerts, that speak to your soul. Go easy with finances, though, as you could find that an impulsive buy costs you dearly and leaves you strapped for cash. Later, Venus turns retrograde in this same zone, which is even more reason to look after your money.
March 02, 2017
By Lapacazo Sandoval
Contributing Writer
Recently, when Viola Davis walked onstage at the 89th Academy Awards to accept her award for Best Supporting Actress, she also got positioned into one of the most prestigious acting clubs in the world. She became the first Black woman to win an Oscar®, Emmy ® and Tony® for acting.
This win for her work in “Fences” marks her as the 23rd person to complete the so-called “triple crown” of acting. It is a difficult feat to accomplish for anyone and she is the first black woman to do so.
Prior to “Fences,” Davis had won an Emmy in 2015 for Outstanding Lead Actress in a Drama Series for her work on “How to Get Away with Murder” and two Tony Awards, first in 2001 for her work in “King Hedley II” and then again in 2010 for her work in the Broadway rendition of “Fences.”
Inside the Oscar® press room the journalists, from around the globe, exploded with thunderous applause when her name was called. By her side was her husband and business partner in the production company JuVee Productions, Julius Tennon.
Here is a brief excerpt
Q: You talked about how much your parents have supported you, and I’m just curious if there’s anything that they said to you when you were growing up that you kept with you and that you pass onto others.
A: That they loved me. And my mom always said, “I knew the difference between an accountant and an actor,” but she was always okay with it. You know, someone told me years ago, they said, “You have the best parents.” I said, “I do?” And they said, “Yeah, because they’re okay with just letting you fly. They’re not stage parents.” And I think that’s the biggest gift my parents gave to me is to kind of allow me to live my own life. They weren’t living their dreams through me. So, yeah.
Q: How did playing Rose challenge you?
A: Everything about Rose challenged me. Rose just kind of seemingly just being sometimes at peace with being in the background was hard to play. Rose getting to a place of forgiveness was hard to play. I never hit it when I — that last scene when I did 114 performances on stage, I didn’t understand the last speech when she said, you know, “I gave up my life to make him bigger.” I didn’t get that. But what Rose has taught me is a lot of what my mom has taught me: That my mom has lived a really hard life, but she still has an abundance of love. And that’s the thing, you know. That’s the thing about life. You go through it, and you — just terrible things happen to you, beautiful things happen to you, and then you try to just stand up every day, but that's not the point. The point is feeling all those things but still connecting to people, still being able to love people. And that was the best thing about playing Rose because I'm not there yet. Even at 51, sometimes I just kind of live in my anger.
Q: Please tell me what you love about being a black woman?
A: Everything. I love my history. I love the fact I can go back and look at so many different stories of women that have gone before me who seemingly should not have survived, and they did. And I love my skin. I love my voice. I love my history. Sometimes I don’t love being the spokesperson all the time, but so be it. That’s the way that goes, right? But at 51, I — I’m — I’m sort of loving me.
Q: What makes a great story?
A: What makes a great story? What makes a great story most definitely is fully realized characters, great writing, definitely, where you can — where a character is introduced to you from the very beginning and they go on a journey that's unexpected, and then they arrive someplace completely different from where they started. What makes a great story is the element of surprise. And what makes a great story absolutely is if it has a central event that helps people connect to a part of themselves. And in that, FENCES had it all. Because that's what it's about, right? You want to connect when you go and — I mean, sometimes you want to eat the buttered popcorn and the Milk Duds and the Sour Patch Kids. I do that a lot too, and Diet Coke. But more often you want to be shifted in some way in your thinking in your feeling about who you are in the world, you know. That’s — that would be a great story, yeah.